Welcome to Elijah-Wood.org, your online resource for all things Elijah Wood. Elijah made his film debut with a minor part in 'Back to the Future Part II' and went on to have huge success in his career. We aim to provide you with the most up to date news, images, videos, and much more on Elijah. Many thanks for visiting and be sure to check back for updates.
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Posted on August 15th, 2017 by admin     0 Comments

Last week we shared with you our interview with Mpho Koaho and Fiona Dourif from Dirk Gently’s Holistic Detective Agency while at San Diego ComicCon. This week, we here at ThreeIfBySpace.net are giving you an exclusive look at the transcript from our interview with Elijah Wood (Todd Brotzman) and Samuel Barnett (Dirk Gently).

Q:  Were you blown away by the scripts for season 2?

Elijah: Yes. Yes.

Samuel: Actually more so even than season 1. In season 2, the characters are deeper and richer, the storylines are crazier, but easier to follow. It’s where we all go, who we all become, the journey we get to go on because it’s slightly longer with 10 episodes. It’s even deeper. It’s great.

Q: You’ve both worked with some geniuses in your career. How would you describe working with Max Landis, with the lines and situations he give you to do?

Samuel: Well, he’s original.

Elijah: And he’s brilliant. He’s really brilliant. I’ve never met anyone like him, I don’t know anyone who has a mind that works the way his works. And for us as actors, we could talk about this on so many levels, but simply on a character level, he’s written really rich characters with extraordinary dialogue. He makes it so easy for us. He does so much of our work in a way.

Samuel: It’s all on the page.

Elijah: It’s there. There’s a rhythm to the way that writes dialogue that I’ve never encountered that I find really challenging and fun. In fact, if you follow that rhythm, it feels like the voice of the character.

Samuel: He writes, this is going to sound weird, but he writes Dirk as a British man. It’s really distinctly different in the words he uses to the American characters. It really is. It’s like a British writer’s written it.

Elijah: Hobbes’ (Tyler Labine) text sounds like Tyler’s version of Hobbes. My text sounds like Todd. It’s very, very specific. So that’s one aspect of working with Max.

Samuel: That’s one aspect. And he has original thought. He has original ideas. Which is so hard these days. And not only does he take things and have an original twist on them, but has original things that have never been seen before.

Elijah: Except for in this new season. But it feels like the show, Dirk Gently’s Holistic Detective Agency, is, and it felt like this in the first season, but even more so now that we get to go back and continue exploring the characters in new scenarios, it’s a big sandbox for him. It’s a creative sandbox. Where BBC America has given him license to explore his imagination. And we get to articulate that. That’s really what we’re doing. And it’s wonderful. It fills him with no end of enthusiasm, but everyone else working on the show. The art department to the costumes to us as actors getting to fulfill these things. We’re all working in this ridiculous, really fun sandbox that is of Max’s mind.

Samuel: Max’s mind as sandbox. Go with that.  Take 2.

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Posted on August 15th, 2017 by admin     0 Comments

The actor talks VR game Transference, Jeremy Corbyn, and My Dad Wrote a Porno

Elijah Wood, the Hollywood actor best known for his role as Frodo Baggins in The Lord of the Rings trilogy, has a high horror threshold. He’s describing a new video game he’s worked on as “a little unsettling”. Less hardened players have said the virtual reality thriller Transference is scarier than that. At its E3 debut gamers were left swearing in shock and needed to decompress afterwards.

Speaking on the phone, Wood sounds relaxed but chooses his words carefully. The game, he explains thoughtfully, is about a man called Raymond Hayes, whose brain research lets you experience other people’s consciousness. In the demo, the Oculus Rift headset transports players into the glitching brain map of a post-traumatic stress disorder sufferer, exploring a creaky house where interactive objects unlock sometimes visceral traumatic memories.

It’s not what you expect from a former hobbit. But Wood, 36, has moved on — the American actor is now using his star power to back cult horror films and explore the genre’s untapped potential in virtual reality.

Fresh from cult film hits such as A Girl Walks Home Alone at Night and The Greasy Strangler, Transference marks the first VR game from Wood’s production company Spectrevision .

The game is the fruit of a collaboration with publisher Ubisoft, and self-proclaimed long-time gamer Wood is reluctant to divulge any of its dark secrets. Even the E3 taster demo experience was more an indication of the project’s general direction than the final gameplay.

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Posted on August 4th, 2017 by admin     0 Comments

I have added 3 different portraits of Elijah Wood from 2017 Comic Con. You can go to the gallery to take a look to the photos and please, credit this site if you take the pics.

If you like the updates and want to help this site to get the latest stuff of Elijah, please, dn’t forget to donate. Every little bit helps.

Gallery Links:
2017 Comic Con Portraits
2017 Comic-Con – “Dirk Gently’s Holistic Detective Agency” Portrait Session
2017 Comic Con Portraits – Los Angeles Times


Posted on July 31st, 2017 by admin     0 Comments

I have added some photos of Elijah Wood at the Comic-Con International 2017 to the gallery so, you can go there to take a look and enjoy! Please, credit this site if you take the pics.

Gallery Links:
Comic-Con International 2017 – “Dirk Gently’s Holistic Detective Agency” BBC America Official Panel
Nintendo At The TV Insider Lounge At Comic-Con International 2017
#IMDboat At San Diego Comic-Con 2017: Day


Posted on March 28th, 2017 by admin     0 Comments

First of all, I am so sorry for don’t add these photos before. I needed to think on something about the site. Anyway, here you go! I have added some new photoshoots of Elijah Wood to the gallery. Please, credit this site if you take the pics. Also, I am going to try to update the gallery with tons of old photos that I got so, if you want me to add something special fisrt, please, let me know.

Gallery Links:
The IMDb Studio At The 2017 Sundance Film Festival Featuring The Filmmaker Discovery Lounge: Day Three
Deadline Hollywood Portraits at Sundance Presented by Applegate, Day 2
WireImage Portrait Studio presented by DIRECTV – Day 1
The IMDb Studio At The 2017 Sundance Film Festival
2017 Sundance Film Festival – I Don’t Feel at Home in This World Anymore Portraits
Photoshoot #006
Off Camera (January 2017)


Posted on February 25th, 2017 by admin     0 Comments

I have added a few photos of Elijah Wood to the gallery so, you can go there to take a look. Please, credit this site if you take the photos.

Gallery Links:
The Tonight Show Starring Jimmy Fallon (January 23rd, 2017) (Captures)
The Tonight Show Starring Jimmy Fallon (January 23rd, 2017)
Elijah Wood visits SiriusXM


Posted on February 23rd, 2017 by admin     0 Comments

In 2013, a burglar broke into filmmaker Macon Blair’s New York apartment, stealing his wife’s laptop and grandfather’s antique binoculars.

They were “probably not worth very much, but had great sentimental value to me,” Blair says. Talking to a police detective afterward, “I was like, ‘All right, what do we do next? Fingerprints? Mug shots?’ And he was like, ‘Umm, there’s nothing next, man. This is kind of it.’ ”

The unsolved crime became a springboard for his directorial debut I Don’t Feel at Home in This World Anymore, premiering Friday on Netflix, which surprised at last month’s Sundance Film Festival with the top award for fiction films, the dramatic Grand Jury Prize. The movie has gathered 91% positive reviews on RottenTomatoes.com, with critics praising it as “a stellar oddball indie” and “charmingly bizarre.”

Blair’s wish-fulfillment fantasy stars indie favorite Melanie Lynskey as Ruth, a depressed, misanthropic nurse who teams up with her kooky neighbor, Tony (Elijah Wood), to track down her stolen laptop, prescription medication and grandmother’s silverware. What begins as a quirky, dark buddy comedy quickly spirals into a twisty, bloody crime caper, as Ruth and Tony eventually locate the heirloom silver at a sleazy pawn shop and turn up at one of the crook’s homes posing as cops, escalating to a gory, guns-a-blazing showdown.

Writing I Don’t Feel at Home, which Netflix also produced, Blair looked to small-stakes, character-driven crime movies from the 1970s, such as Night Moves and Charley Varrick. He was also inspired by his brutal collaborations with filmmaker Jeremy Saulnier, having starred in his 2014 thriller Blue Ruin and appeared in last year’s Green Room, both of which are equally intense but less absurdist than Blair’s genre-bending feature.

“I really enjoy those wild tonal shifts,” Blair says. “It’s fun for me when something starts in one place and very abruptly shifts into another, like, ‘They’ll be telling this joke in this one (scene) and then the next second, somebody’s going to get their hand blown off.’ ”

Lynskey, who is best known for her comedies with art-house auteurs Joe Swanberg (Happy Christmas) and Mark and Jay Duplass (HBO’s Togetherness), was thrilled by the opportunity to play an action heroine so far removed from the discontented housewives and flailing thirtysomethings she’s often considered for.

It was “incredibly empowering,” Lynskey says. “It was so cathartic for me and just fun. The whole time we were shooting, I was like, ‘I’ve never done anything like this.’ ” Reading the script, “the description of the character was so intriguing. It had nothing to do with what she looks like, it was all about her energy. Quite often you read a script and it’s like, ‘She was a real knockout 10 years ago and now she’s still OK.’ ”

Over the course of the increasingly violent movie, Ruth fires a gun using her teeth, pelts an attacker with rocks and gets her fingers snapped by a peeved shop owner. But the New Zealand actress says her most challenging “stunt” was paddling across a lake to escape a ruthless crime lord.

“I had never really rowed a boat before and it’s hard,” Lynskey says. “That was one thing when I saw the movie, I was like, ‘I don’t look completely ridiculous. That’s a relief.’ ” [Source]


Posted on February 23rd, 2017 by admin     0 Comments

I Don’t Feel at Home in This World Anymore is the latest feature from writer Macon Blair and marks his directorial debut. The film, which premiered at the Sundance Film Festival, stars Elijah Wood and Melanie Lynskey as Tony and Ruth between whom an unconventional relationship forms in their combined pursuit to right wrongs in the aftermath of a burglary at Ruth’s home in suburban Portland, Ore. Tony, a rattail-wearing, throwing-star-wielding vigilante-wannabe with some pretty sweet eyewear lends needed moral and physical support to neighbor and disenchanted nurse Ruth in the search for her stolen property. Full of unexpected twists, the film’s climax includes an intense getaway/rescue scene in which Ruth leads their escape by means of rowboat. I Don’t Feel at Home in This World Anymore made Paste’s list of the 20 Best Films of Sundance 2017 and also won the U.S. Dramatic Grand Jury Prize. Paste caught up with the actors in Park City, Utah, to talk about the film, Lynskey’s rowing skills, and shared love for Oregon and the TV series, Atlanta.

Elijah Wood: Nice Atlanta shirt! That show is so good. I’ve only watched the first episode, so I have so much to get through, but man.

Paste: It’s genius. It’s been a long time since I’ve seen a show that’s that funny, and then also that serious.
Wood: The tonal balance is crazy. It starts off and you think it’s going to be a drama, and then it’s definitely a comedy, but it’s both things at the same time. It’s really incredible.

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Dirk Gently
Elijah as Todd
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Centers on the titular holistic detective who investigates cases involving the supernatural. Based on the "Dirk Gently's Holistic Detective Agency" novel series, written by Douglas Adams and published by Simon and Schuster in 1987.
I Don't Feel at Home in This World Anymore
Elijah as Tony
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When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.
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